He cannot quite meet the eyes of the woman, Dr. They land, gather about 20 patients who are well enough to walk, and call for the helicopters to return.īut he has disobeyed direct orders, his superior will not risk the choppers, and they will all have to walk through the jungle to Cameroon to be rescued. Later, when it is clear Willis' decision has placed his men and mission in jeopardy, one of his men asks, "Why'd you turn it around?" He replies: "When I figure that out, I'll let you know." And later: "It's been so long since I've done a good thing-the right thing." There are some actors who couldn't say that dialogue without risking laughter from the audience. His face smeared with camouflage and glistening with rain, his features as shadowed as Marlon Brando's in " Apocalypse Now," he seems like a dark violent spirit sent to rescue them from one hell, only to lead them into another. If we could fully understand how he does what he does, we would know a great deal about why some actors can carry a role that would destroy others. Casting directors must spend a lot of time thinking about this. Willis and his men must lead the doctor and her patients through the jungle to safety. Russia has pointed the finger at Ukrainian 'saboteurs', but. It's a question of who can walk faster or hide better that's why it's annoying that Dr. Moscow said yesterday that it had fought off an assault after two days of battles with attackers who had staged a cross-border raid. Hendricks is constantly telling Waters, "My people have to rest!" Presumably (a) her African patients from this district have some experience at walking long distances through the jungle, and (b) she knows they are being chased by certain death, and can do the math. Until it descends into mindless routine action in the climactic scenes, "Tears of the Sun" is essentially an impressionistic nightmare, directed by Antoine Fuqua, the director who emerged with the Denzel Washington cop picture " Training Day." His cinematographers, Mauro Fiore and Keith Solomon, create a visual world of black-green saturated wetness, often at night, in which characters swim in and out of view as the face of Willis remains their implacable focus point. There are few words Willis scarcely has 100 in the first hour.
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