These icons are real racers, about whose lives hundreds of videos can be found on the Web, they have appeared on Top Gear and have appeared in many other car shows. The city has its own legends (in the local language - "icons"), that is, the coolest, fastest and most insane racers. The world of the game is not arranged in a completely familiar way. And for me it was one of the motives to go through the game to the end. All the shots are made from the perspective of the main character, so at some point there is an effect of immersion in the story. And although it is unusual to follow live people in the frame after eternal renders, it is also interesting from that. Of course, it's easy to understand where the video is and where the graphics are superimposed, but the move turned out to be spectacular.
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The big plus is that the plot is presented through videos shot with the participation of real actors, and your car is already embedded in them. But in the new Need for Speed, this banal story is presented surprisingly entertainingly, simply because we look at the events of the game through the eyes of five real heroes at once. The plot in the new part is excellent, although it is built according to the classic scheme: a newcomer comes to the city - gets into a "crowd" of racers - trying to establish himself in it as a leader. After all, rating stars and new cars are a good incentive for a simulator, but not for an arcade race.
Calling the scenarios "breakthrough" would be an exaggeration, but they were the ones that motivated us to continue playing. Need for Speed has always differed from many other games in the genre in that almost every part had a story campaign. Therefore, we decided that as a new studio, we need to understand exactly what the fans want from us and make the Need for Speed exactly what they expect. After all, Need for Speed means a lot to everyone who has played at least one part, especially when it comes to the same Underground or Most Wanted. There was a time when Need for Speed was a huge series, one of the largest for Electronic Arts, but in the process of working on Rivals we realized that a lot needs to be changed, and this takes time. It seems to me that the racing genre has recently lost its position. It took them almost two years to study the needs of the Need for Speed audience and then implement them. After finishing the controversial Rivals under the supervision of Criterion, the authors decided they needed to take a break and start reinventing the wheel with a stone wheel. The brand began to fade, the new parts stopped evoking at least some emotions - and the publisher decided to start from scratch.Įmployees of Y8Games Studio, a relatively young studio entrusted with the development of a new part, were the ones who took on the rethinking of the famous series.
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But at some point, it became clear to everyone, including the developers, that the series was heading into the abyss of self-copying. Working in such a rhythm, it is extremely difficult to make sharp movements within a series, since the players develop certain habits - they know in advance what product they will receive for their money, and therefore any sharp jump to the right / left ends in disappointment.
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The Need for Speed brand has long existed in the format of an annual TV series - the anticipated release alongside the forever young Call of Duty, FIFA, iPhone and Supernatural.
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